Aside from my earlier post on Spring Rain, I had never heard of him before. Rudolph Johnson gets very little coverage, if any, in the mainstream of critical writing. He is supported by a propulsive modal bluesy soul-jazz rhythm section, no passengers, led by the energetic resourceful comping of Kirk Lightsey, a name found on many great sessions. The selection The Highest Pleasure is typical of this second Johnson Black Jazz album, featuring Johnson’s high energy and fiery tenor – a distinctive voice, confident inventive improvisation, whose vocabulary includes turning up the heat: rapid fire flurries, rasping throaty discourse, squawks, howls. ![]() ![]() Recording engineer Robert (Bob) Berglund was associated with cutting several Black Jazz titles, though not explicitly mentioned in the credits here, nevertheless left his initials in the vinyl ![]() Kent Brinkley, bass Doug Sides, drums Kirk Lightsey, piano Rudolph Johnson, tenor saxophone recorded at Hollywood Spectrum Studios, Los Angeles, California, producer Gene Russell. (All songs Rudolph Johnson except B1 – Lightsey.) Selection: The Highest Pleasure (Johnson) ī1.
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